![]() ![]() The title track wastes a very groovy, garage-rock riff, but after 30 seconds or so, it switches into background verse chords that fail to capture attention. While styles range from gentle plucks to high-powered chords, it hardly ever creates a strong enough melody to support a song. This is seen from moment one with “The First Equation”: Even when he’s shouting, it feels like someone reading their lines rather than conveying them.ĭavid Boyd’s guitar is wasted, as most of the riffs heard are instantly forgettable and tiresome. There’s no sense of passion within the notes, and the limited range he uses here just adds to the dullness. Andrew Wood’s voice isn’t unpleasant or off-key, it just feels lifeless. Heaven in Hiding is an expansive and transcending collection. Sadly, they’re also two of the most important parts of a group’s sound: the vocals and the guitar. Imminence Heaven in Hiding (Album Review) Just before 2021 comes to a close, Imminence have given us something of absolutely epic proportions. There are two key factors that hurt this record the most. But the tracks and the album fall flat when you put it all together. In many songs, there are solid moments and good musicianship. This is the crippling problem that Bridges and Powerlines face on Eve. You can have all the right pieces in place, but the whole is far less than the sum of its parts. ![]()
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